New national style! Dopamine Aesthetics in The Three Wan Li in Chang ‘an

Special feature of 1905 film network It has been officially released for more than a week, and there is a strong wind in the Tang Dynasty on the big screen, and the all-encompassing national style aesthetics has lasted for a long time in the fashion cycle.

Fashion is a circle. As early as 2021, the "new national style" swept across the country. Fashion designers have improved Hanfu and Qipao to meet the needs of modern people’s lives, and specially matched embroidery, ink painting, tangkou, collar and other national style elements to wear cultural self-confidence. However, due to the general impression of the introverted national style, the new Chinese clothing generally uses plain colors such as Yabai, Danqing and Daihei.

This year, "Dopamine Wear" has become the hottest fashion entry in major apps. After the closure of the epidemic, facing the economic recovery, handsome men and beautiful women began to show their confidence and pleasure through high saturation color matching, showing their energetic personality profile.

"Three Wan Li in Chang ‘an" broke the "600 million curse" of chasing light, and set off a heated discussion on the meteorology in the prosperous Tang Dynasty nationwide. After watching the movie, Xiao Bian realized that the original "New National Style" and "Dopamine Wear" can completely play together. Go back to Chang’ an with Xiaobian and learn to wear it!

Xinguofenggao steet

Chaonan

The high street wind has been on fire for ten years, and the most out of the circle is "overlapping". In this matter, men in the Tang Dynasty had a great say.Li Bai, the young man in the film, is the top match of dopamine aesthetic hipster. In traditional painting, Li Bai usually wears a collar or a round neck. However, in his debut, he wore a lapel with western elements, which was a popular "fashion" at that time.

Li Bai’s most classic lapel suit is to wear a purple lapel with a white robe, which instantly becomes the highlight of the whole suit. Because purple was a very noble color in ancient times, this lapel dragged Li Bai out of the literati’s bookish atmosphere and injected him with a sense of wealth.

Grape grain on Li Bai’s collar comes from Dunhuang mural archaeology. The matching belt is not the traditional Central Plains style, but the popular accessories of Hu Feng in the Tang Dynasty. Sticking shoelaces, gold arm hooks, overlapping metal wrist ornaments on cuffs, and matching with black leather boots, the whole body’s white, purple, gold, brown and black collided enthusiastically, which together shaped a radiant Li Bai.

In recent two years, the popular trend of new national style often advocates simplicity and pure color, and "Three Wan Li in Chang ‘an" gives us a brand-new collocation idea. Cross-neck, straight purlin, cloud shoulder and horse face, the elements of national style were originally the epitome of overlapping wear, and the collision of different colors gave overlapping wear a brand-new life.

Wang Wei-"Shi Fo" also loves to wear contrasting colors.

Dopamine color contrast

beautiful girl

Different from men’s overlapping aesthetics, the wearing of female characters in Chang ‘an Three Wan Li is characterized by a light and confident "dopamine contrast" style.

Women’s clothing in the Tang Dynasty has a special position in the history of China. Under the bondage of ethics, women’s clothing in past dynasties tends to be conservative, simple and plain, and pursues high concealment. However, the costumes in the Tang Dynasty were a new phenomenon, with bare neck and bare chest becoming the fashion and bright and beautiful colors becoming the fashion.

Jia Xizeng, an associate professor and doctoral supervisor of Tsinghua Academy of Fine Arts, believes that the Tang Dynasty was the originator of dopamine aesthetics. Tang Dynasty clothing style is rich in colors, with high lightness and purity, emphasizing contrast and favoring warm colors. In the Tang Dynasty, the aesthetic concept was open and inclusive, the dress style was more diversified, and many exotic elements were combined with traditional clothes, which made people have a novel experience.

The most brilliant thing in the movie is Princess Yuzhen’s makeup. She was dressed in a thin double-breasted dress, and her chest was slightly exposed. The orange-red blouse with a pink-and-green skirt with a treasure-like pattern, and high-wall shoes underneath, shows the style of women in the Tang Dynasty with animation realism. The collocation of orange red and pink, with the collocation method of adjacent colors, makes people produce a pleasant visual effect full of dopamine.

The utilization rate of saro in Tang Dynasty is extremely high, and its transparent texture shows women’s confidence in their bodies at that time, and also tells their desire for self-expression. The colors used by women in the Tang Dynasty are also warm and bright, among which red is the most popular. The well-known "pomegranate skirt" is dyed with big red pomegranate flowers.

Women’s clothing pays attention to silhouette and proportion. Women in the Tang Dynasty pursued the beauty of fullness, but at the same time, they did not forget to raise the proportion of their bodies. Full-shaped high bun is the favorite of women in the Tang Dynasty. On the high bun, there are steps and flowers, which visually lengthen the figure. In the Tang Dynasty, the upper skirt was shorter and the skirt was longer, and the long skirt was usually tied above the chest. The top position is high, and the skirt has reached the length of mopping the floor, so the visual effect of "pulling legs" has been formed.

Contemporary women can also use these skills when dressing. For example, make the hat and hairstyle higher to make the figure look taller. The bottom can be designed with a high waist to lengthen the proportion of legs. The color-separated skirt in the Tang Dynasty is also of great reference value. It enriches the visual level with the red and white design, and at the same time, it stretches the female figure by using the "vertical stripes".

Gorgeous colors and elegant costumes, the wearing aesthetics of people in the Tang Dynasty reflects the Tang people’s style of self-confidence, economic prosperity, prosperous politics and open culture; Men are strong and women are plump, which conveys the magnificent and prosperous weather.

Contemporary young people’s preference for traditional culture is precisely the recognition of their own national essence; The fire of contrast design in Chang ‘an Three Wan Li also shows the hope of modern people to release themselves and enjoy life.

We have a similar core with the Tang people thousands of years ago. The lifestyle of dopamine is to let us express our emotions and create a better life with our own hands. I hope that we can find the outlet of self-expression through the "new national style" dopamine in "Three Wan Li in Chang ‘an", which is the greatest practical significance of national style aesthetics.